The announcement last month that Macmillan’s Tor division (perhaps the world’s best-known science fiction publisher) has instituted a four-month embargo on new e-book titles for libraries is an unwelcome development. Tor officials say the change is designed to test whether library lending is affecting retail e-book sales. Librarians, however, see the move as an unwarranted restriction that will needlessly impact science fiction fans, some of our most avid readers.
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Major publishers have attended meetings with the founder of Barnes and Noble and have voiced their displeasure that the booksellers management team is in a constant state of disarray. They indicated that they have a strong interest in Barnes & Noble running a healthy and stable business, to counteract the clout of Amazon.
Barnes and Noble has gone through five different CEOS since 2013 and the latest was Demos Parneros, who was let go last month. He was terminated without severance in July for violating company policies. The company said at the time that his dismissal was unrelated to issues of financial reporting or fraud, but offered no further guidance. He barely lasted a year.
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From BLAKE ATWOOD at The Write Life:
For comparison purposes, let’s look at the editing rates and use an average page-per-hour and an average hourly rate. For instance, the EFA lists basic copyediting of 5–10 pages per hour at a cost of $30–$40 per hour, so I’ve assumed 7.5 pages per hour at a cost of $35 per hour. The other total calculations also use their respective average rates.
For a 70,000-word book, your editing costs could be:
- Developmental editing: $.08 per word, or $5,600 total
- Basic copyediting: $.018 per word, or $1,260 total
- Proofreading: $.0113, or $791 total
It’s easy to extrapolate from this what your total expected editing cost could be. Fantasy, sci-fi, and epic novel writers should be forewarned.
For a 120,000-word book, your editing costs could be:
- Developmental editing: $.08 per word, or $9,600 total
- Basic copyediting: $.018 per word, or $2,160 total
- Proofreading: $.0113, or $1,356 total
Realize that these are simply one website’s average estimates for editorial costs. For further comparison, CreateSpace offers copyediting at $.016 per word for books longer than 10,000 words. Pronoun’s list of editors is also an easy way to compare many editors’ costs.
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(CNN) Twelve-year-old Jonathan Bryan can’t verbally speak or physically write. He was born with severe cerebral palsy, has limited motion in his limbs and is in a wheelchair.
For most of his life, Jonathan’s parents used nonverbal cues like a smile or a frown to communicate with him. Educators determined he had profound learning difficulties and never taught him to read or write in school.
That all changed when Jonathan’s mom, Chantal Bryan, began taking him out of school for a few hours a day to read and write. By the time Jonathan was 9, he could spell anything he wanted to say.
Now with the help of an E-Tran frame, Jonathan not only communicates — he wrote a book.
Read more at CNN…
According to a filing made with the Securities and Exchange Commission, Schottenfeld began buying B&N shares on May 29 and made his most recent purchase July 16, accumulating 4.2 million B&N shares. Schottenfeld paid between $5.32 and $6.57 per share for his stake. B&N’s shares began the year trading at $6.70, and closed at $5.65 per share on July 23.
In its filing, Schottenfeld said it purchased its stake believing B&N’s shares are “substantially undervalued and represent an attractive investment opportunity.” The filing further stated that representatives from Schottenfeld have already talked to B&N about ways to increase shareholder value, and intend to continue to hold discussions with B&N management and its board to review strategic alternatives the company might pursue.
Read more at Publishers Weekly
Combined North American sales of graphic novels and periodical comics declined about 6.5% to $1.015 billion in 2017, according to a joint estimate made by pop culture trade news sites ICv2.com and Comichron.
The overall sales decline was due to a 10% drop in the comics shop channel which was somewhat offset by only a 1% decline in sales to the bookstore market, which benefited from continuing growth in sales of children and YA graphic novels. Digital sales were flat.
Read more at Publishers Weekly