50 Shades of Submission

Janet Reid writes…

I’ve recently had an agent request the first 50 pages of my manuscript after being “intrigued” by my query and first 5 pages. Good news, for sure. Here’s the thing: a MAJOR plot development happens on page 60; a real WOW moment (at least I hope).

I didn’t press my luck. I submitted the first 50 as requested. But I really wrestled with the idea of emailing the agent and letting her know about the major plot development and asking if it would be okay to send the first 60 as opposed to just the first 50. Would that have been okay? Or did I do the right thing but just giving her what she asked for and not pushing it (even though it would have potentially meant she’d have gotten to experience a real juicy moment)?

Read More at Janet Reid…

Advertisements

Tor (SciFi Publisher) Embargos Libraries

The announcement last month that Macmillan’s Tor division (perhaps the world’s best-known science fiction publisher) has instituted a four-month embargo on new e-book titles for libraries is an unwelcome development. Tor officials say the change is designed to test whether library lending is affecting retail e-book sales. Librarians, however, see the move as an unwarranted restriction that will needlessly impact science fiction fans, some of our most avid readers.

Read More at Publishers Weekly…

More Problems for B&N

From

Major publishers have attended meetings with the founder of Barnes and Noble and have voiced their displeasure that the booksellers management team is in a constant state of disarray. They indicated that they have a strong interest in Barnes & Noble running a healthy and stable business, to counteract the clout of Amazon.

Barnes and Noble has gone through five different CEOS since 2013 and the latest was Demos Parneros, who was let go last month. He was terminated without severance in July for violating company policies. The company said at the time that his dismissal was unrelated to issues of financial reporting or fraud, but offered no further guidance. He barely lasted a year.

Read More at Good eReader…

The Price of Editing…

From  at The Write Life:

For comparison purposes, let’s look at the editing rates and use an average page-per-hour and an average hourly rate. For instance, the EFA lists basic copyediting of 5–10 pages per hour at a cost of $30–$40 per hour, so I’ve assumed 7.5 pages per hour at a cost of $35 per hour. The other total calculations also use their respective average rates.

For a 70,000-word book, your editing costs could be:

  • Developmental editing: $.08 per word, or $5,600 total
  • Basic copyediting: $.018 per word, or $1,260 total
  • Proofreading: $.0113, or $791 total

It’s easy to extrapolate from this what your total expected editing cost could be. Fantasy, sci-fi, and epic novel writers should be forewarned.

For a 120,000-word book, your editing costs could be:

  • Developmental editing: $.08 per word, or $9,600 total
  • Basic copyediting: $.018 per word, or $2,160 total
  • Proofreading: $.0113, or $1,356 total

Realize that these are simply one website’s average estimates for editorial costs. For further comparison, CreateSpace offers copyediting at $.016 per word for books longer than 10,000 words. Pronoun’s list of editors is also an easy way to compare many editors’ costs.

Read More at The Write Life…